{"id":53772,"date":"2022-05-29T11:29:10","date_gmt":"2022-05-29T11:29:10","guid":{"rendered":"https:\/\/www.imalbania.com\/kosova\/the-75th-edition-of-the-cannes-film-festival-ends-here-is-who-won-the-trophy\/"},"modified":"2022-05-29T11:29:10","modified_gmt":"2022-05-29T11:29:10","slug":"the-75th-edition-of-the-cannes-film-festival-ends-here-is-who-won-the-trophy","status":"publish","type":"post","link":"https:\/\/www.imalbania.com\/kosova\/the-75th-edition-of-the-cannes-film-festival-ends-here-is-who-won-the-trophy\/","title":{"rendered":"The 75th edition of the Cannes Film Festival ends, here is who won the trophy"},"content":{"rendered":"<p> [ad_1]<br \/>\n<\/p>\n<div>\n<div class=\"firstP\">\n<p>Ruben Ostlund&#8217;s social satire, &#8220;Triangle of Sadness,&#8221; won the Palme d&#8217;Or at the 75th Cannes Film Festival.  The Swedish director received one of the most prestigious cinema awards for the second time, after the one with the film &#8220;The Square&#8221; 5 years ago.<\/p>\n<\/div>\n<p><em>&#8220;I am just happy, of course.  It&#8217;s madness.  Do you know what I am happiest about?  &#8220;Because we intended to make a wild, entertaining film where we had content that we thought was important, where the audience should discuss it after the film is over.&#8221;<\/em> said Ruben.<\/p>\n<p>The awards were selected by a nine-member jury led by French actor Vincent Lindon and presented on Saturday at a closing ceremony inside Cannes&#8217; Grand Lumi\u00e8re Theater.<\/p>\n<p>The second prize of the jury was divided between the soft childhood drama &#8220;Close&#8221; by Lucas Dhont and the romantic thriller by director Claire Denis, &#8220;Stars at Noon&#8221;.<\/p>\n<p>The &#8216;Best Actress&#8217; award went to Zar Amir Ebrahimi for her performance as a journalist in Ali Abbas&#8217;s &#8220;Holy Spider&#8221;.<\/p>\n<p>Swedish-Egyptian director Tariq Saleh received the &#8220;Best Screenplay&#8221; award for &#8220;Boy From Heaven&#8221;, a thriller set in Cairo&#8217;s Al-Azhar Mosque.<\/p>\n<p>Saturday&#8217;s closing ceremony ended with a Cannes trying to fully revive France&#8217;s annual extravagance, an event which was canceled in 2020 by the pandemic and organized without modest crowds last year.<\/p>\n<p>This year\u2019s festival was also characterized by the backdrop of the war in Ukraine, which sparked protests on the red carpet and a dialogue about the purpose of wartime cinema.<\/p>\n<p class=\"last\">\n<strong><\/p>\n<p>top channel<br \/>\n<\/strong>\n<\/p>\n<\/div>\n<p><script>\n\t\tvar ajaxurl = \"https:\/\/top-channel.tv\/wp-admin\/admin-ajax.php\";<\/p>\n<p>\t\t\/\/Google Analytics\n\t\twindow.dataLayer = window.dataLayer || [];<\/p>\n<p>\t\tfunction gtag() {\n\t\t\tdataLayer.push(arguments);\n\t\t}\n\t\tgtag('js', new Date());<\/p>\n<p>\t\tgtag('config', 'UA-7855069-1');<\/p>\n<p>\t\t\/\/Facebook\n\t\twindow.fbAsyncInit = function() {\n\t\t\tFB.init({\n\t\t\t\tappId: '1715618661991455',\n\t\t\t\txfbml: true,\n\t\t\t\tversion: 'v2.10'\n\t\t\t});\n\t\t\tFB.AppEvents.logPageView();\n\t\t};<\/p>\n<p>\t\t(function(d, s, id) {\n\t\t\tvar js, fjs = d.getElementsByTagName(s)[0];\n\t\t\tif (d.getElementById(id)) {\n\t\t\t\treturn;\n\t\t\t}\n\t\t\tjs = d.createElement(s);\n\t\t\tjs.id = id;\n\t\t\tjs.src = \"https:\/\/connect.facebook.net\/en_US\/sdk.js\";\n\t\t\tfjs.parentNode.insertBefore(js, fjs);\n\t\t}(document, 'script', 'facebook-jssdk'));\n\t<\/script><br \/>\n<br \/>[ad_2]<br \/>\n<br \/><a href=\"https:\/\/top-channel.tv\/2022\/05\/29\/perfundon-edicioni-i-75-te-i-festivalit-te-filmit-ne-kane-ja-kush-e-rrembeu-trofeun\/\">Source link <\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>[ad_1] Ruben Ostlund&#8217;s social satire, &#8220;Triangle of Sadness,&#8221; won the Palme d&#8217;Or at the 75th Cannes Film Festival. The Swedish director received one of the most prestigious cinema awards for the second time, after the one with the film &#8220;The Square&#8221; 5 years ago. &#8220;I am just happy, of course. It&#8217;s madness. Do you know [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":53773,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[359],"tags":[18934,18399,6033,2534,2800,6695,7364,7292],"class_list":["post-53772","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-attualita","tag-75th","tag-cannes","tag-edition","tag-ends","tag-festival","tag-film","tag-trophy","tag-won"],"_links":{"self":[{"href":"https:\/\/www.imalbania.com\/kosova\/wp-json\/wp\/v2\/posts\/53772","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/www.imalbania.com\/kosova\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.imalbania.com\/kosova\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.imalbania.com\/kosova\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.imalbania.com\/kosova\/wp-json\/wp\/v2\/comments?post=53772"}],"version-history":[{"count":0,"href":"https:\/\/www.imalbania.com\/kosova\/wp-json\/wp\/v2\/posts\/53772\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.imalbania.com\/kosova\/wp-json\/wp\/v2\/media\/53773"}],"wp:attachment":[{"href":"https:\/\/www.imalbania.com\/kosova\/wp-json\/wp\/v2\/media?parent=53772"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.imalbania.com\/kosova\/wp-json\/wp\/v2\/categories?post=53772"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.imalbania.com\/kosova\/wp-json\/wp\/v2\/tags?post=53772"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}