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As an architect by profession, when there was no computer, and he was forced to draw, Max Mitrojorgji had a close relationship with the figure.
Especially when he had to illustrate and books. Driven even more by leisure throughout the pandemic, he has expanded his watercolor cycle and brings to the public an exhibition. Here he presents urban and rural landscapes. utilizing his personal archive and the archive of the Institute of Cultural Monuments.
“Almost all topics related to our construction heritage have been touched upon. Urban architecture and urban landscape are affected. Rural architecture, ancient cities that we have, Butrint, Apollonia. Churches are affected. Clock towers. Urat ”.
How one wanted people to get acquainted with our construction heritage, also seen in the eye of the architect. Although these watercolors sometimes present a more refined look than it actually is.
“Many objects are sometimes even old and dilapidated, abandoned, and perhaps my treatment is a bit romantic, with color and watercolor giving this opportunity. “Nevertheless, the exhibition provides good information about our construction heritage.”
And despite the fact that the pandemic has avoided the usual cultural events, the exhibition has been successful.
“Some jobs have been sold, some have not. “Anyway, I say that the exhibition has had its success.”
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