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“… You are in Rome, my love. Now you laugh at my fears, and I think Cesar and his companions, though they are mind-blowing, would never dare to do such folly. However, you see that a man you love is also afraid… “. From the ancient city of Lazio, the young patriarch Vinicius wrote these lines to Licias, the timid daughter of King Svev, raised in Rome and educated in Christianity.
One of the most beautiful love stories in the literature of the early 1900s, written by the Polish Nobel laureate Henryk Sienkieëicz, has finally come to the Albanian language, translated by Laura Lekë and Fishta publications. Dozens of love letters that Vinic sent to Licia as he traveled the seas, avoiding conflicts with Caesar, outline a story of passion, which, as such, is the best way to read the time when it happened. Caesar, sitting at the wheel, wrapped in a purple platoon, sang a hymn to the sea, which he had composed the night before. In some other boats we were followed by Indian slaves, who fell on some kind of harpsichord-made harpsichords, while numerous dolphins protruded around their heads, and it seemed as if from the depths of Anfrit I was calling and pulling music. Would you know what I did? I thought of you, I sighed with ardent desire. “I wanted to take the whole sea with me, the well, the music and give it to you,” he wrote.
The voluminous work written more than a century ago, “Quo Vadis, remains to this day a genuine classic of historical literature, speaking to the time we live in with astonishing ease.
Writer Italo Calvino said: “Quo vadis” always tells us something new, offering us new perspectives every time we take it in hand. Quos Vadis tells us that history repeats itself, the era and order once well established, regimes or dark periods that seem permanent, are overthrown to be replaced by new times. History has its cycles and humanity, although seemingly weakened, emerges ever stronger. In the 21st century, where global developments have placed humanity in the face of new pressures, Quo Vadis comes as a reading, which evokes the importance that systems, societies, nations have for a constant moral renewal. The grandeur of the palatine feasts, the sufferings of Christians in the catacombs of Rome, the delusion of the Roman emperor, the megalomania of the despot, show in action precisely the need for simple mass, but also the ruling class for moral renewal, as they understood how pagan living and immoral customs had reached a climax that no longer held.
Rome, the greatest political power of the time, the country that ruled the entire Mediterranean, needed a new spirit. This spirit was brought with it by the emerging Christianity that was slowly spreading throughout the empire. In this masterpiece we find suspension of history under the background of Rome of the 60s AD, to capture, humor and tragedy, history, environments of Rome, superstitions of the Romans and their way of life, attractive characters that remain long in memory .
A late reading in Albanian of this important work of world literature, is an acquaintance not only with history, but also with the great literature which has the ability to be timeless.
Quo Vadis, Domine? (Where are you going sir). This is the sentence that closes the end of a story written by Sienkiewicz, more than a century ago, a question that still articulates public discourse today.
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